Everything got bigger in the 1950s. Cadillacs and Chevrolets were twenty feet long, with space-age fins and bumpers. Bras were volcanic. And films were colourful affairs in ultra-widescreen. They called it Cinemascope, and it’s so strongly associated with that confident era that to make a film in Cinemascope today is to practically insist that it’s watched on a proper big screen, with a feeling of go-getting optimism. Possibly while wearing a pink pastel cardigan.
La La Land may make you want to burst into song. It will definitely make you want to go to LA.
But the real star of the show, Chazelle says, is Los Angeles itself. “La La Land is about a city that is very epic – it’s a widescreen city. I thought it would be great to shoot it in widescreen, to make it as big and spectacular as a classic Hollywood musical,” he says. There are scenes in the bustling Grand Central food market, on the gridlocked freeway, on Santa Monica pier at sunset, in studio backlots and at the famous Griffith Observatory, with its night-time view of the city twinkling below.
Lots of films are set in in the City of Angels – but only a few let it live and breathe, as an actual character in its own right. Here are four more:
LA Story (1991)In Steve Martin’s 1991 love letter to his hometown he plays a TV weatherman looking for meaning (since telling people it’s sunny doesn’t offer much). He starts receiving life advice from a traffic information sign and decides it’s Los Angeles itself talking. Inspired, he embarks on affairs with a British journalist (Victoria Tennant) and a gum-popping, free spirited young ‘spokesmodel’ (Sarah Jessica Parker). Set among the beachside boardwalks, swanky open-air restaurants and art galleries of rich LA, it’s a slice of magical realism that makes you feel you’ve just had two weeks in the warm air of West Hollywood.
Probably the brightest, most optimistic, most colourful film ever made.
Singin’ in the Rain (1952)The embarrassing premiere at Grauman’s Chinese Theatre is the only scene actually shot on location – but even so, the spirit of Los Angeles shines through in this joyous Cinemascope musical: probably the brightest, most optimistic, most colourful film ever made. Like La La Land, it’s about struggling performers – a chorus girl forced to take odd jobs, a silent film star threatened by talkies and his slapstick sidekick. Together, the late, great Debbie Reynolds, Gene Kelly and Donald O’Connor turn messy life into a big, happy song and dance.
LA Confidential (1997)Los Angeles has its darker side, and no film captures its sleazy sprawl better than Curtis Hanson’s Oscar-winning adaptation of James Ellroy’s novel, in which two 1940s cops who hate each other (Guy Pearce and Russell Crowe) disentangle a plot involving blackmail, prostitution, paparazzi, pin-ups, plastic surgeons, corrupt cops and organised crime. It’s complicated, but a jazzy pulse propels scenes shot on location in LA’s mid-century hangouts with names like the Frolic Room, the Formosa Cafe and the Lovell Health House.
Like La La Land, its heroes are on the fringes of showbiz rather than at its heart, making their struggles all the more relatable.